This Machiavellian fantasy follows a scholar's quest to choose the next ruler of her kingdom amidst lies, conspiracy, and assassination. When the death of Iron Queen Sarelin Brey fractures the realm of Elira, Lysande Prior, the palace scholar and the queen’s closest friend, is appointed Councillor. Publically, Lysande must choose the next monarch from amongst the city-rulers vying for the throne. Privately, she seeks to discover which ruler murdered the queen, suspecting the use of magic. Resourceful, analytical, and quiet, Lysande appears to embody the motto she was raised with: everything in its place. Yet while she hides her drug addiction from her new associates, she cannot hide her growing interest in power. She becomes locked in a game of strategy with the city-rulers – especially the erudite prince Luca Fontaine, who seems to shift between ally and rival.
In a faraway land where members of the royal family are named for the virtues they embody, one young boy will become a walking enigma. Born on the wrong side of the sheets, Fitz, son of Chivalry Farseer, is a royal bastard, cast out into the world, friendless and lonely. Only his magical link with animals - the old art known as the Wit - gives him solace and companionship. But the Wit, if used too often, is a perilous magic, and one abhorred by the nobility. So when Fitz is finally adopted into the royal household, he must give up his old ways and embrace a new life of weaponry, scribing, courtly manners; and how to kill a man secretly, as he trains to become a royal assassin.
Two men rebel together against tyranny—and then become rivals—in this first sweeping book of an epic fantasy series from Ken Liu, recipient of Hugo, Nebula, and World Fantasy awards. Wily, charming Kuni Garu, a bandit, and stern, fearless Mata Zyndu, the son of a deposed duke, seem like polar opposites. Yet, in the uprising against the emperor, the two quickly become the best of friends after a series of adventures fighting against vast conscripted armies, silk-draped airships, and shapeshifting gods. Once the emperor has been overthrown, however, they each find themselves the leader of separate factions—two sides with very different ideas about how the world should be run and the meaning of justice.
With the epic sweep of Min Jin Lee’s Pachinko or Yaa Gyasi’s Homegoing and the lyrical beauty of Vaddey Ratner’s In the Shadow of the Banyan, The Mountains Sing tells an enveloping, multigenerational tale of the Tran family, set against the backdrop of the Viet Nam War. Tran Dieu Lan, who was born in 1920, was forced to flee her family farm with her six children during the Land Reform as the Communist government rose in the North. Years later in Hà Noi, her young granddaughter, Hương, comes of age as her parents and uncles head off down the Ho Chí Minh Trail to fight in a conflict that will tear not just her beloved country but her family apart.
Welcome on my bookish blog! My name is Sarah, and I'm a 28 yo French reader from Paris. 🌙
“Home is people. Not a place. If you go back there after the people are gone, then all you can see is what is not there any more.”
— Robin Hobb
“War doesn't determine who's right. War determines who remains.”
― R.F. Kuang
“Happiness comes from moving toward something. When you run away, ofttimes you bring your misery with you.”
― Michael J. Sullivan
“The world is indeed full of peril, and in it there are many dark places; but still there is much that is fair, and though in all lands love is now mingled with grief, it grows perhaps the greater.”
— J.R.R. Tolkien